UNLIKE other countries, Cambodia does not minimize Indian influence on the local culture. On the contrary, the people of the country generously acknowledge it. Angkor Wat, the greatest of Khmer temples, is a text in itself. The hundreds of reliefs sculpted on its stones narrate the events from the Hindu Epics and the Puranas, and symbolically communicate the fundamental religious, philosophical, ethical and political principles of the Khmers at the time of Suryavarman. Varman was a title given to Kings and Pandita was title given to Brahmins. The glory of Angkor Wat and Angkor Thom which highlighted the perfection of the fusion of Indian and Khmer art and architecture was unparalleled in those times when they were constructed. These temple complexes included the palaces of the kings and dwelling places for numerous others. The bas-reliefs in the temples depicting the epics of the Ramayana and the Mahabharata are without compare. The apsaras of Angkor who number 1850 are rare specimens of art and no two are alike. Many western explorers and historians have written eloquently on these monuments: "Undeniably an expression of the highest genius". The architects of the great temple were masters of their craft, but first of all they were close students of the human eye. They set out to build not only a tremendous pyramid but an ensemble which would instantly seize upon the vision of one who entered through West Gate and carry it irresistibly in a direct unwavering line to the climax of the central tower. HINDUWISDOM
